June 3rd, 2008 by Kiba | Posted in Crochet, Interviews | 2 Comments »
Annette Petavy is a Swedish crochet designer, living in France, who writes in English, Swedish, and French. Her designs include the Leaves sweater from Crochet Me: Designs to Fuel the Crochet Revolution and the Funky Doily at the Crochet Me site. She has been published in Interweave Crochet and Vogue Knitting on the Go’s Crocheted Shawls. I started to link to my favorite work of hers, searching at Crochet Me for her name to find the articles she wrote. Soon I had about 10 windows open in my task bar, so I decided that instead of picking just one of her articles or trying to list all the ones I love, I’d link you to the search results page for her name over there.
On to the interview!
How long have you been crocheting?
Forever… I don’t really remember learning, and my mother, who must have been the one who taught me, doesn’t remember either. I think I was around 6 years old, but that’s just a guess. I crocheted on, making granny squares, doilies and small motifs, until I was a teenager.
At that time, I realized that even though I was having fun crocheting, I didn’t find the results very useful. I had never heard of crocheting garments, and the idea didn’t occur to me, so I was only knitting for several years - not very consistently, though.
I had a problem with my left arm, and stopped knitting as well. I stopped going into yarn stores, because I’ve always loved yarn, and it was painful to see a lot of pretty yarn and think I could do nothing with it. Then, about seven years ago, it finally clicked. I went into a Phildar store, picked up a ball of yarn, and thought “I’m going to *crochet* a garment!”. Crochet proved to put much less strain on my left arm than knitting. My first garment, a simple cardigan for my then five year old daughter, was a success, and I’ve never looked back.
What motivated you to learn to crochet?
I grew up in Sweden, in a family where *all* women did things with their hands - knitting, crocheting, bobbin lace, weaving, sewing, you name it. It was a very natural thing for me to want to do that too (though I’ve never tried weaving - my mother didn’t have a loom).
What is your favorite of your published designs and why?
The ones to come ;). But the Josephine sweater, published in the Fall 2006 issue of Interweave Crochet, has a special place in my heart - it was my first garment to be published in print, it’s a mix of crochet and knitting (because now I’m knitting again, too!), and I feel it all worked out so well.
What is your favorite fiber to work with?
Merino wool. Before discovering all the craft resources on the Internet, I had no idea there were different types of wool. I thought all wool was the same, scratchy stuff. Then I discovered merino… My desert island yarn is Rowan 4 ply soft, a fingering weight merino.
Do you have a favorite crochet hook? If so, please describe it.
I don’t really. I use very simple hooks. I’ve bought most of them in Phildar or haberdashery stores here in France, and my mother has given me some of her old, larger crochet hooks.
Please give us a quick overview of your design process, from idea to finished object.
The starting point is different every time. Sometimes I just get an idea in my head. Sometimes, I need to respond to a call for submissions, so I can’t wait for ideas to just come out of the blue. I read the call for submissions very carefully, I browse style.com, I make dozens and dozens of swatches. The idea for a design might come for a silhouette I’ve seen and that I want to translate into crochet, or it might be a fabulous swatch I made, and I try to create a garment or an accessory which will show the stitch pattern at its best.
When I’ve settled on the stitch pattern, the yarn and the construction of the garment or the accessory, I draw the pattern. If it’s a garment, I use pattern drawing software, and draw a full-size pattern for each size. This enables me to plot out the stitches on the paper pattern. I write out the pattern, and then I stitch up the sample. I have just started to work with contract crocheters for some of the actual stitching, and it’s great. They help me not only with the stitching, but also to become a better pattern writer.
Who are some of your favorite designers?
There are many… I think you’ve already interviewed some of them!
Thank you for the interview, Annette!
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